空间鼠标跟随(qq空间鼠标跟随flash)学到了

林科, 1984年生于浙江温州，2008年本科毕业于中国美术学院新媒体系，现生活工作于北京。从2010年开始, 林科将自己变成自己的实验对象，投身于计算机时代的行为艺术之中。

 

艺术家个人简介 林科 Lin Ke1984年生于浙江温州，2008年本科毕业于中国美术学院新媒体系，现生活工作于北京从2010年开始, 林科将自己变成自己的实验对象，投身于计算机时代的行为艺术之中林科将笔记本电脑作为其艺术工作室，从计算机软件和互联网中提取素材作为其艺术作品的素材与形式。

日常互联网的探索和对应用软件的操作催生出他的艺术创作和自画像他使用屏幕截图和屏幕录制软件记录操作行为和概念图像他主要的作品形式为装置、图像、声音、文字、视频和电脑绘画林科的创作实践为他赢得了2014年OCAT-皮埃尔·于贝尔奖与2015第九届AAC艺术中国年度青年艺术家大奖。

他的作品曾在卡尔斯鲁尔的ZKM媒体艺术中心，埃森的Folkwang博物馆，东京都现代美术馆和民生美术馆等知名艺术机构展出，2016年他的作品也在第十一届上海双年展展出林科同时也是艺术团体“双飞艺术中心”的创始成员。

Born 1984, Wenzhou, Zhejiang, China，2008 graduated from the New Media Art Department of The China Academy of Art，Lives and works in Beijing. Since 2010, Lin Ke has turned his attention to the behavioral science of the computer age by making himself his own Guinea pig. Converting his laptop into a studio, Lin extracts material from computer software and the Internet as the fodder and form of his art. The mundane act of exploring the vicissitudes of the world wide web and various applications becomes the catalyst for art making and self-portraiture. He records operational behavior and conceptual images by using screenshots and screen recording software.

Lin Ke has gained major critical acclaim for his work winning the OCAT - Pierre Huber Art Prize in 2014, and the Chinese Youth Artist Award of the 9th AAC Art 2015. His work has been shown at ZKM, Karlsruhe; Museum Folkwang,Essen; Museum of Contemporary Art Tokyo , Tokyo; and the minsheng art museum, Shanghai. Lin’s work is also currently featured in the 11th Shanghai Biennial at the Power Station of Art. Lin Ke is also an original member of the collective, Double Fly Art Center.

 参展作品 

▲ 咔嚓  Kaca电脑屏幕显示器是我观看外部世界的一个窗口，为了适应我的情绪变化，这个“窗”外的风景经常需要更换在一边使用电脑和一边欣赏着“窗”外风景之时，窗外风景也渐渐生长出来了很多电脑数据文件只要我轻轻按住键盘上的几个按钮，清脆的快门声音就会响起，“咔嚓！”一张屏幕截屏摄影就会在这个刹那间诞生。

Computer screen is a window for us to watch the outside world. In order to adapt to my emotional changes, the scenery outside the “window” often needs to be changed. While using the computer and enjoying the scenery outside the “window”, there are many computer data files gradually grows in the scenery outside the window. As long as I gently press a few buttons on the keyboard, and the shutter sound will be sounded, "Crack!” a screen shot photography will be born in this flash.

 采访 1. 能否谈谈你这几年创作的关注对象和创作方式？    Could you please talk about the concern object and the way of your creative works in these few years?

从2010年开始，我将自己变成实验对象，投身于计算机时代的行为艺术之中电脑是我的艺术工作室，我从计算机软件和互联网中提取素材作为艺术作品的素材与形式日常互联网的探索和对应用软件的操作催生出我的艺术创作和自画像。

我使用屏幕截图和屏幕录制软件记录操作行为和概念图像主要的作品形式为装置，图像，声音，文字，视频和电脑绘画Since 2010, I have turned myself into an experimental object and devoted myself to the art of behavior in the computer age. Computer is my art studio. I extract materials from computer software and the Internet as the material and form of art works. The exploration of Internet daily-life and the operation of application software turn to my artistic creation and self-portrait. I use screen capture and screen recording software to record operating behavior and concept images. The main works are installations, images, sound, text, videos and computer graphics.

2. 互联网或商业图像生产在你看来是否对人们观看摄影艺术的方式产生了影响？    Do you think the internet and commercial images have impact on the way of people read photography art?

我对读图本身是非常感兴趣的，它甚至是一种精神需求在网络好的情况下，每天我可以阅读大量图片，以我自己的爱好方式阅读我要和图片建立一种亲密的关系，我知道在网络世界的哪里可以阅读到我喜欢的图片，还有这些我喜欢的图片带着我也可能喜欢的图片，它们都在一起。

阅读的速度非常快，几乎是一刹那时间， 我就能获得精神的愉悦或者没有，没有就过所以瞬时图片的短暂作用对我更直接有效Im very interested in reading drawings, its even a spiritual demand. On the Internet, I can read a lot of pictures every day in my own way. I want to establish an intimate relationship between picture and me, I know how to find that kind of pictures for reading which are I liked, and these pictures may also with pictures I like them, too. All of them get together so the speed of reading is quickly. Suddenly, I can get the pleasure in spirit or not. So the instantaneous effect of instantaneous pictures are more direct and effective to me.

3. 如何看待现在的摄影艺术及它的展览机制？    How were the contemporary photography art and its exhibition mechanism should been perceived? 

事实上我并不创作摄影作品，我只是在创作看起来像摄影的摄影作品除了我的手机摄像机和电脑自拍摄像头，我并没有专业的物理摄像机但是关于图像的展示是我一直在实验的方向In fact, I dont create photography. Im just creating photographs that look like photography. Apart from my cell phone camera and computer‘s camera, I dont really have a professional physical camera. But the display of images is the direction Ive been working on always.。

4. 如何理解和看待此次展览（集美x阿尔勒国际摄影节-在地行动）？    How to comprehend the this exhibition(Local Action of Jimei xArles International Photo Festival)?

厦门是一座美丽的城市，它似乎和摄影艺术形成了一种文化上的关联摄影艺术拥有这样一座城市，是令人兴奋的事情城市和摄影艺术行动起来！我觉得这就是在地行动的意义Xiamen is a beautiful city, and it seems to have formed a cultural connection with photography art. The art of photography has such a city, its exciting. City and photography art start to work together! I think thats the meaning of Local Action.。

 过往作品介绍 我控制你，你控制我 (系列：我控制你，你控制我), 2007装置I control you, you control me(series：I control you, you control me), 2007

Installation半封闭的空间内，观众进入时人影会出现在投影的电脑屏幕上，这个电脑屏幕上的鼠标光标会跟随观众的影子移动，而现场的一个展柜里的鼠标会跟随光标的移动而做相应方向的移动造成一种鼠标控制人的错觉。

When the audience enters the figure will appear in the projection of the computer screen in Semi-enclosed space. The computer mouse cursor will follow the audiences shadow move and the other mouse in the showcase will follow the cursor move in corresponding direction. Creating an illusion of mouse could control people.

编辑：周宇虹 Zhou Yuhong翻译：蔡恬岚 Anya排版：胡慧兰 Hu Huilan 场地支持：中骏大厦 Zhongjun Building / 思明电影院 Siming Cinema

退化图像公司办公地址位于厦门市湖里区机场南五路中骏大厦一座，是一个临时组建的公司，负责“2017年集美×阿尔勒摄影季在地行动”的工作执行本次名为《可视恰巧是造成忽视的一种情境》的在地行动将在互联网背景下开展图像与摄影艺术边界的讨论。

展览地点分布在写字楼、工厂、电影院等社会场景中，并将在不同高校、社会机构作延展性对话

▲ 左起：王琦、汤建松、杨鹿童成立于2016年，由汤建松、王琦、杨鹿童三名成员组成是一个尝试将建筑与不同媒介对接，输出城市和建筑观点的开放创作机构，希望用建筑思维和艺术生产的方式，在不同环境中肇事不同于传统建筑/空间设计事务所，退化建筑倾向于在工作中寻找 艺术观念、视觉语言、空间建筑三者的平衡，破除大众对建筑的既定理解，将“无用艺术”有用化，为普遍严肃的建筑行业培养幽默感。

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